Certain images will sit with you for a while after reading, their impact deeply felt and difficult to get rid of.
pp.263
Published: The Other Publishing Company, 2014
(This book was given to me for free in exchange for an honest review)
A gar is a fish commonly found in the waters of Eastern
North America. It is a fish that has great significance for Louis Bourgeois in
its frequent appearances throughout his childhood, particularly in the one-page
story ‘Epilepsy Has a Cause’, which attributes his recurrent epileptic seizures
to his very first sighting of a garfish. In The
Gar Diaries, Bourgeois offers a series of quick glimpses into the world of
his youth, a world of poverty, class separation, brutality, abuse and loss.
Some of the pieces in this collection will disturb the
reader. Certain images will sit with you for a while after reading, their
impact deeply felt and difficult to get rid of. The south-eastern Louisiana
setting provides a rich backdrop for some very strange and vivid occurrences.
One thing concerning me about this book is not an aspect the
author can have any control over. But one critical comment on the cover attests
to the poetic nature of the prose inside. What struck me, conversely, is the
book’s lack of poesy, considering it
is written by a poet. The prose is distinctly clear, simple and lacking in
frills. The narrator’s voice is intensely sober and laser-sharp. It is
disappointing in this sense, however the content often takes over any concerns
about language or form, and one is taken away with the plot. There is one
identifiable purpose in the author’s no-nonsense attempt to illuminate his
youth, and it is just that – to set before us, without judgement on his behalf,
his youthful days as he remembers them.
There are stories that will have you sympathising with
Lucas, the narrator, and stories that will have you hating him. Yet the two
extremes fuse well in this array of short pieces. Sometimes nostalgic, often
cold and indecipherable, the author does not try to redeem or uplift. He does
not try hard to find beauty or ugliness, but only portrays what is there. And
this is another aspect where Bourgeois lacks poesy, and not in the bad sense.
He does not try to be poetic, but unequivocally honest. His earnestness and
integrity are striking.
Aside from the occasional puerile and ridiculous opinion,
such as the idea that people who have children are ‘not courageous to face life
alone’ or that they lack ‘the discipline to keep their pants on when they
should be concerned with doing great things in the world’, this is a very
reasonable book in its depiction of the author’s childhood. At times it suffers
from an inflated sense of ego as Bourgeois purports to be placing its
characters into the annals of history merely by mentioning them. I don’t think
this book will be wide-reaching or significant enough to warrant such noble opinions
of itself, but nevertheless it is well worth a read. The very
short stories inside that build up a picture of the American Deep South are
unrelated yet they complement each other well.
A common thread running through these stories is the
author’s keen sense of class separation. He has an affinity with working class
people as he grew up amongst them. In the story ‘Party’, for example, a four
year old Lucas ruins a lawn party by defecating in his pants and then staring
at a war veteran’s fingerless hands. The closing line of the piece is one of
sorrow for the working class partygoers – ‘Poor working class people, I didn’t
mean to do this to you.’ As the book progresses, Lucas’ hatred for the middle
classes borders on brutality, and seems wildly unjust in its indiscriminate
nature.
A book of great characterisation, fascinating events and
horrendously honest narration. Brief moments of egotism and even juvenility on
the part of the author often destroy the illusion of narrative aloofness but
nevertheless this remains an interesting group of stories.
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